Young Mothers review: Dardenne brothers drama on teenage motherhood is a humanist gem

YOung Mothers reviewCast: Babette Verbeek, Elsa Houben, Janaina Halloy Fokan, Lucie Laruelle, genus samia HilmiDirectors: Jean-Pierre Dardenne, Luc DardenneStar rating: ★★★★A Jean-Pierre Dardenne and Luc Dardenne shoot ne'er feels the like a shoot, so unvarnished and realistic in its approach to life. The acclaimed filmmaker-duo are known for their collaborations with a cast primarily formed by non-professional actors, and their miniscule and deeply rooted portraits of social justice and working class protagonists. Their latest offering, which played in the International Film Festival of Kerala, is a triumphant return to form, even if there's a marked shift in ambition and focus.The premiseUnlike their previous offerings Rosetta or The Child where a single character was in the main focus, here the duo are juggling five different tracks. The story is set in a residential shelter for young mothers in Liege, Belgium, as we follow the underage girls as they come to terms with motherhood. We jump from one story to another, with no pause or reflection in between. The viewer has to catch up. All these characters have had early pregnancies, and share this same shelter. Their joys, heartbreaks and concerns are interspersed, while the fifth one is given a small yet significant sequence, as the sort of example the rest of the girls can aspire towards. The farewell sequence is one of the film's many wonderfully realized moments.Working with cinematographer Benoit Dervaux and editor Marie-Hélène Dozo, the film follows these characters with long single takes. It is expectedly immersive and empathetic, brimming with humanity even when the stories tend to become a little predictable. The Dardenne brothers suggest that there is no singular road to being a mother, to this experience.Whose story will get more preference here? That is not the point. Each of them matter, each of their approach to motherhood a case for concern and consideration. Jessica (Babette Verbeek), who is due in two weeks, wants to meet her own mother who abandoned her after birth. Perla (an excellent turn from Lucie Laruelle), wants to start a life with her baby Noe, and her boyfriend Robin (Gunter Duret). But Robin is not sure he wants to be a father yet. Elsewhere, there is Julie (Elsa Houben), a former addict who has boyfriend Dylan (Jef Jacobs) for support, and is trying to start a family with her baby. Then there is Ariane (Janaina Halloy Fokan) who wants to give her baby for adoption, but her alcoholic mother Nathalie (Christelle Cornil) is begging her to reconsider that decision.Final thoughtsSince there are multiple threads to consider and follow, the film never achieves that nail-biting emotional heft of the duo's previous features. The constant jump somewhat dilutes the urgency. Yet the film is always engaging and expertly constructed, where not a single moments feels manipulative.Neither of these girls come under any judgement, and the film offers them space and a warmth of community that carries them through. In the facility, the workers are always supportive and firm. The girls also take turns to prepare dinners or help in dire situations when the other needs to go. The scenes are beautifully understated and therefore, so impactful in its presentation of a country where these institutions are in place.Young Mothers concludes these stories without the need to tie up in a thread of overwhelming sentimentality, which is certainly for the best. Let these girls decide for themselves. By the most we can do, as a society, is to be more considerate. As a nation, the need for such supportive institutional care for teenage parenthood is paramount.